V683-1 is a natural-finish wood picture frame featuring 100% real maple hardwood moulding profile. Its 1 inch face and 13/16 inch overall moulding height give the profile its characteristic scale and contour.
On Solid Maple Picture Frame, the 1 inch face creates a compact border, allowing the artwork and any matting to remain visually dominant. This narrow scale defines the perimeter without turning the frame into a major block of color.
Solid Maple Picture Frame has a 13/16 inch overall moulding height, establishing the side silhouette created by 100% real maple hardwood moulding profile. Its 5/8 inch usable rabbet and approximately 5/16 inch lip coverage describe the working space behind the opening. As a standard frame, the lip overlaps the front edge of the artwork or framing package.
Solid Maple Picture Frame can complement botanical prints, landscapes, photographs, maps, drawings, and artwork with organic colors and textures. The restrained profile of Solid Maple Picture Frame serves as a clear image boundary, with its exact face width determining whether it reads as a fine outline or a more visible surround.
For works on paper, mat color and border width can create separation between the image and Solid Maple Picture Frame, especially when a dark frame should remain distinct from the darkest image values.
The restrained contour of Solid Maple Picture Frame creates a clear outline while allowing the artwork to remain visually dominant.
On Solid Maple Picture Frame, the relationship between its face, inner edge, and outside contour determines how strongly this profile separates the artwork from the surrounding wall.
The 1 inch face and 13/16 inch overall height define the proportions of Solid Maple Picture Frame. Its front view remains restrained, while this moulding's outside contour becomes more apparent from an angled view.
Framing specialist note: For Solid Maple Picture Frame, the 1 inch face can read as a compact outline or a visible border depending on the artwork scale and surrounding mat proportions.
